The mask thus becomes the ambiguous mechanism through which truth can be manifested under control. Textos presentes no livro: No trivia or quizzes yet. This could be perceived as angonin sign of its failure, but the fact is that performers have succeeded in preventing the mask from killing the audience, which was the expected consequence of taking it to the stage Derrida has detected this tendency in Artaud in which efforts to reform theatre end up making it impossible: Debe ser una actriz. Duke University Press, This homage to madness and frenzy has teayro echoes of Nietzsche and his Dionysiac force, teayro is reinterpreted both by Lorca and Artaud: This has led me into discussing such apparently different questions as mimesis or identity-building. When analyzing the cruelty of the mask, it will be necessary to take into account the fact that there is only by a controlled violence that a bigger evil can be opposed. You are commenting using your Twitter account. De esta unión (durante la década del veinte), surgen en parte sus ideas más revolucionarias respecto del teatro. of his essays such as “Le théâtre et la culture”, “Le théâtre et la peste”, “La mise en scène et la métaphysique”, “Le théâtre alchimique” Artaud, Antonin. Artaud’s mask: a new mimetic project and the cruelty of the mask In order to prove that, some of Todo teatro verdadero tiene un profundo hedor de luna pasada. Sansone, Giovanni: Antonin Artaud: Percorsi antropologici dal teatro della crudelta` ai teatri. Lecot, Jonathan: La me’ taphore de la peste dans Le The ́aˆtre et son double d’Antonin Artaud. Jugnon, Alain: Artaudieu: L’individu contre la mort.
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